There are 2 kinds of art, given a set of elements to play with:
1) The kind that thinks all adds up to 63.. or
2) The kind that thinks sees 34 or 23 or 13. i’ll take any of ‘em!
Each would see the ‘brown’ canvas with black dots differently. The first kid would likely create something more like the blue canvas, all focusing together; the latter would make something like the green canvas– not all the dots connected on the same pattern or at precisely the same angles. More is added in than is necessary, and some is left out.

The first type of artist is one of a strong-mind; who must make all the connections connect as close as possible. “Close” isn’t good enough. There *IS* *only* *one* *ideal*. This the idealism at it’s best/worst. There’s strengths to this, like knowing what you’re doing; understanding and having reasons. Those are good, but they aren’t *all* there is.
This method will also have trouble with what is given; will prefer to modify what is given in favor of ’rounding off the edges’ so that it fits within the Ideal he has created. Trouble is, self-defined ‘rough edges’ may be some else’s precious child. Sacrificing another for your-own is hardly commendable. Thus the idealists have consistently one thing to learn: love+humility, in the form of valuing others and seeking understanding of them. Often this won’t happen without a fight, since the idealist will idealize (within his own ideas/competencies) what the other persons wants. He will always think he has acheived until someone tells him otherwise.
This idealist thrives on energy, and dismisses the existence of entropy, that he should have to deal with it, bow to it’s demands, or worse, be accountable for it. “Entropy is outside of me, thereby ‘not my problem’” he would say.
The second form of art is a much less strong-minded/ideal approach, where “close enough” has much wider tolerances. It’s less ideal, more pragmatic. However, that does not mean that it is less precise; things can precisely exist and be placed within a tolerance. Often one method of this is to leave out elements that are ’suggested’ but not ‘required’ for the scope of work; there are more however.
This is the pluralist’s approach: chopping off the head of #1 and making all #2 & #3. Creating more level ground. And for pragmatism, that’s just fine: why sell the $60k car to a kid who grew up with a ‘85 cavalier? He won’t know what to do with it, can’t afford it, and will end up wrecking it, all while you’re $55k in debt! Giving away high quality has no place in the market. Rather, consistently selling people what they can handle (but not dream or do for themselves) is progress, and sufficient. This expectation and standard the idealist cannot handle, and will only scoff at.
Each artist is different. But both will tend to view their work as an expression/extention of themselves. So telling the idealist to not be so idealistic is telling them to do ‘crap-work’, and further communicating that ‘crap’ is more acceptable than they are. So what does that leave them feeling like? Crap’s crap. And entirely confused/frustrated. “But I was doing my best!!!” Yes, and the world can’t handle you. Idealists suffer through “The heartbreaking work of staggaring genius.” The world can’t handle idealists, and idealists can’t handle the world.
As for the hope of the idealist changing into the pragmatist, it can rarely happen. This is the cry of the 90’s for “out-of-the-box” thinkers. This is equal to the “work” that must be done in marriage, which no dating-for-one-month couple who has yet to run out of date ideas still has to learn and of which cannot conceive. Such work takes either supreme self-awareness or supreme others-focused-ness, consistent changing of purpose, playing with possibilities instead of fixating on the One, being thankful for open rebuke and not being afraid to try.
This is not about ‘aiming & shooting lower’ like the idealist will think it is. It’s another goal altogether, one filled with enabling other people’s dreams over your own, and calling their ugly baby pretty, because they never thought they could give birth.
Update: this little art-theory has everything to do with personal clothing style choices as well:
While recently looking at a “wide leg” ad, I was reminded me of a rather ‘artsy’ friend of mine. While analyzing this ad, I was further reminded what defines the “artsy” look. It’s having “outfits” that are offbeat, but also which only display 2% of “you” and having 90 of such outfits. This way you never wear the same style from day-to-day like ‘most’ ppl, and you never wear what is FULLY yourself, but are happy to take this one small 2% bit of you and tease it out into something bigger than yourself. Of course this is the ‘I’ personality type who can pull this off, since that’s how they *act*, not just dress.
I’m not that type. I’m the more orderly-idealist who will tend to be more “monochromatic” in style (having found the One Style that IS Me), albeit just off-beat enough, a la beatniks & film noir 